Danny_Pink_in_the_army News

Doctor Who Has Become Pro-War New Article Claims, Moffat Criticised


The Eighth Series of Doctor Who marked a tonal shift within the show from being largely anti-conflict to being pro-military, according to a new article published by the World Socialist Website, part of the Trotskyist International Committee of the Fourth International.

The thought provoking article by Bryan Dyne and Christine Schofelt claims that while the character of Danny Pink is both “troubled by what he has seen and done” and that “he disabuses his students of the idea that war is anything to be glorified or celebrated,” the character’s end in Death in Heaven marks the show’s endorsement of armed conflict, a turn away from the Russell T. Davies years.

“Danny’s rousing pre-mission speech and his declaration that ‘This is not the order of an officer. This is the promise of a soldier!’ are meant to rally the audience behind the idea of sending in the troops… The scene in which The Doctor salutes a returned UNIT soldier—something he had refused to do in previous years—is a capitulation. For generations, he had not saluted because the military had nothing to offer but destruction. The Doctor’s rejection of aggressive methods and his frequent refusal to cooperate as long as guns were being pointed, his outrage at the needless deaths of even the most bumptious of aliens who had attacked Earth, all this appeared to be a thing of the past as he stood at attention to pay tribute to the Brigadier. Moffat’s aim seems to be to gratuitously knock this hero down, as if to say, peace is all well and good in theory, but when push comes to shove, strike first and shoot. Something about the belligerent mood of the affluent middle class in Britain, the US and elsewhere makes itself felt here.”

Giving examples such as the militarised church of the Smith era and A Good Man Goes to War where “with a cavalier attitude about knocking the enemy out, exploding things and leading an army, The Doctor goes to war,” the article further suggests this tonal shift can be attributed to Steven Moffat:

“The first four seasons of the show advocated a refreshing rejection of violence in general, instead using the abilities, equipment and even the life of The Doctor to save people… In the fifth rebooted season Steven Moffat took over as head writer and show runner after the previous head, Russell T. Davies, stepped down. In considering the Moffat era as a whole, one is forced to reflect on the other works he has overseen, particularly Sherlock. In that show, whatever its strengths (including the participation of Benedict Cumberbatch), the main character is constantly glorified as a “high-functioning sociopath” who goes out of his way to assist British imperialism. Moffat’s Doctor Who episodes reinforce this turn. Far more than previously, they are turned inward. While this inwardness is something the lead character deals with, especially given that he is “the last” of the Time Lords, it has reached an unhealthy level. No longer do the seasons culminate in some great potential catastrophe for humanity that must be opposed and defeated, but rather in some personal problem for The Doctor. One used to feel something beyond a vague voyeurism when watching the season endings of Doctor Who—there was a sense of shared struggle, shared destiny and ultimately hope.”

The full article can be read Here

What do our readers think? has Doctor Who moved away from it’s long-standing message of non-violence? is the series now pro-military or pro-war? were things different during the 3rd Doctor’s era for example? let us know your thoughts via Facebook and Twitter. One for debate!


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2 comments
Sutekh'sGiftOfUnlimitedRicePudding
Sutekh'sGiftOfUnlimitedRicePudding

Can't seem to edit my comment, just wanted to add:The "defending the Empire" stuff is just what the original stories did in having Holmes occasionally work for the Empire, but it's made quite clear that Sherlock isn't interested in politucs or flags, just the puzzle. And as a high-functioning sociopath myself, I find that specific comment offensively discriminatory.

(Also, I meant to type show, not shoe. Blasted predictive text!)

Sutekh'sGiftOfUnlimitedRicePudding
Sutekh'sGiftOfUnlimitedRicePudding

It certainly is thought provoking. The thought that it provokes is "who comes up with this nonsense, and have they got nothing better to do?"

This is just someone with an obvious agenda (ie. "I hate Moffat") and trying to justify it with a load of whishy washy unconvincing bull.

Trying to use the Clerics/Papal Mainframe/Silence as an example of Moffat being pro-military is nonsensical. They are quite obviously a satire of both the Military and Organised Religion.

Similarly, the ending of Death In Heaven with Danny's speech is more a remembrance for the fallen. One doesn't have to be pro-military to feel empathy and sorrow. For the soldiers who have died in wars, often unnecessarily. The episode was shown the day before Remembrance Day.

With A Good Man Goes To War, Moffat once again shows that he understands the show and the character of the Doctor a heck of a lot better than most of his critics. The whole thing is about how the Doctor,usually unintentionally, inspires people to follow him, and how that isn't necessarily a good thing. In this case he intentionally gathers people to follow him as he takes the offensive, unusually for him, and the whole thing backfires. Partly because that isn't really who he is. Again, hardly pro-Military.

I'm not even sure what the author is chundering on about in regards to finales, but all of Moffat's involve a threat to the world/galaxy/Universe. The least obvious is The Name Of The Doctor, in which the main threat is to the Doctor, but a consequence of his timeline being rewritten is that all of the world's that he has saved will be destroyed/unsaved.

I can only assume that the barely coherent mumbling about the shoe and Sherlock being internalised must be some sort of Marxist stance against the individual, but I'm afraid that focusing on character is all part of good drama and if anything RTD is the one who brought the Doctor's inner life more to the forefront than the original series with the whole survivor guilt and Rose-love arcs. The Sherlock criticisms make even less sense, and just put further emphasis on the fact that this is a piece purely fuelled by an agenda. I think Moffat would be just as surprised to find out that he is pro-Military as he and his wife probably were to discover that he is supposedly a misogynist. Pure rubbish.